Sin will take you further than you ever wanted to stray!
Music for me is far more than that. It is the language of my soul, the language of my heart and indeed seems almost as an elixir that enlivens my breathing and empowers my thinking. Admittedly I have been guilty of the same kind of statement with regard to one genre or another.
But many years ago my business banker in Japan, though perhaps an unlikely source for such inspiration, cured me of this prejudice altogether.
Some weeks later he brought me a gift of a Chet Atkins album. Rather, I had mostly or only heard recordings and performances which seemed entirely devoid of personal or individual expression. They were insipid, much like a lot of the commercial artwork decorating the average Motel 6 or Holiday Inn hotel room, or like the background music too often heard in public buildings.
So much of what I had heard sounded like it came out of a music vending machine. But listening to Chet Atkins I realized that while the style was clearly consistent with the vending machine stuff, this was more like gourmet country!
His playing is soulful, beautiful and deeply emotional. This also made me stop to think about the music I listen to most, classical, and about all the many other genre I was already listening to, and to realize that classical is not really that much different from any other genre.
The problem is often the same, no doubt. Either the music was written to some formula, or simply to fill an order the composer had received, or the performance itself is uninspired.
This has taken me on a sound journey that includes the great recordings and performances of Bach, Brahms, Beethoven and Mozart but also the performances of the Grateful Dead, the Allman Brothers, Pink Floyd and other rock greats, as well as country, blues, reggae and jazz.
The Red Violin thus becomes the last violin he would ever make. The Cameo: Joshua Bell, who plays most of the music in the soundtrack, is seen amongst the Orchestra in Oxford as Frederick Pope prepares to play his music. T he value of Yogananda’s Autobiography is greatly enhanced by the fact that it is one of the few books in English about the wise men of India which has been written, not by a journalist or foreigner, but by one of their own race and training—in short, a book about yogis by a yogi. As an eyewitness recountal of the extraordinary lives and powers of . The Red Violin offers not only a message of the universality of the language of music but the secret of the red violin's color exemplifies the level of commitment that true musical devotion demands. 3/5(3).
It has led me to obscure recordings of the almost incomprehensibly complex and beautiful drumming of the Yoruba tribe in Benin, Africa and to the delightfully soulful music of Buena Vista Social Club of Cuba.
And it has even led me to a refreshingly thoughtful and catchy rap composition, found on YouTube, meant as a teaching tool for cello students—this by an Atlanta musician, Nan Kemberling. So what of music as language? Even as I try to learn yet another spoken language and yearn to learn the language of each of the amazing people I meet in my travels around the world, so too am I grateful to be able to connect with all the people of the world with this magical, mystical language that is music.
In closing I should add that as I was writing this it occurred to me that the analogy of music as a language can be taken even further. English and presumably all other spoken languages seem actually to comprise sub-languages.
While virtually all of us born in the United States who are free from handicap can readily speak and understand English, only a few of us are blessed with the gift of oratory—able to connect with an audience like Martin Luther King, John F.
Kennedy or Winston Churchill were able to. Only some of us are able to communicate really well with little children, or with the classic techies of the computer and internet world, or obviously with a group of atomic physicists or biotech engineers, let alone a group of composers specializing in minimalist writing.
So too would I propose that the more we stretch ourselves to hear and understand the sub-languages or genre of music and thereby to listen to the peoples of the world who express themselves through this music, the richer we will become in terms of human experience and understanding.
And how wonderful it is that even without mastering all the spoken languages in the world we can at least connect with people in all countries and cultures of the world through this one powerful and expressive language of music.The Bacon Brothers - Philadelphia Road: The Best Of (Hypertension) Comprising actor Kevin and his film and composer brother Michael and playing bluesy rock n roll filtered with Philly soul and country, the fact that they've made several albums and have gigged regularly since underlines that this is no movie star vanity project to distract from .
In , a random phrase popped into Bruce Springsteen’s head as he was writing, one that seemed to match the music he was hearing in his mind. is and in to a was not you i of it the be he his but for are this that by on at they with which she or from had we will have an what been one if would who has her.
Lesson Plans - All Lessons ¿Que'Ttiempo Hace Allí? (Authored by Rosalind Mathews.) Subject(s): Foreign Language (Grade 3 - Grade 5) Description: Students complete a chart by using Spanish to obtain weather information on cities around the world and report their findings to the class using Spanish phrases.
The Red Violin offers not only a message of the universality of the language of music but the secret of the red violin's color exemplifies the level of commitment that true musical devotion demands.
The film takes its audience on a journey spanning five countries and three centuries, into five principal lives, each telling a story of hope and greed.
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